The Most Beautiful Sounds Next to Silence

The Cleveland-raised saxophonist Joe Lovano comes from a jazz tradition that extols blowing a lot of notes, fast and loud. He grew up on his saxophonist father’s stories of what it felt like to jam with John Coltrane, but also in a Sicilian-American household that revered the operatic tenor legend Enrico Caruso – experiences that nurtured an appreciation of virtuosity and the subtleties of nuance and timbre. Now, after more than four jazz-star decades that have seen him considered one of Sonny Rollins’ heirs (and a collaborator with originals from Bill Frisell and Elvin Jones to Esperanza Spalding), Lovano’s Trio Tapestry explore delicate distillations of the musical resources that all three members have often individually set loose with warp-speed intensity.

Garden of Expression, Trio Tapestry’s second album, reconvenes Lovano with the brilliant pianist Marilyn Crispell (New York Times critic Jon Pareles described witnessing her fusions of classical virtuosity and free-jazz fearlessness as “like monitoring an active volcano”) and his fellow Clevelander Carmen Castaldi on percussion. The softly ecstatic Chapel Song finds Crispell shadowing Lovano’s exquisite tenor tone in coaxing and reciprocal piano murmurings over Castaldi’s mallet whispers, followed by an improvisation that’s a complete piece in itself; and the ways she buoys up the vaporous lines of the sax with harmonious ripples on West of the Moon seem to bypass all deliberation with reflexive empathy. The title track’s opening ascents and descents shift to stormy, pensive and then scamperingly free-jazzy variations, Dream on That teasingly suggests a hidden jazz tune in repeated, mutating fragments, while Zen Like is an increasingly melodic exercise in gong tones and minimal motifs. Garden of Expression is about the spaces between sounds as much as sounds themselves – but, as in meditation, they’re spaces that resonate with stories.

(https://www.theguardian.com)