The Most Beautiful Sounds Next to Silence

I used to have a copy of this superb album on cassette many years ago, and haven't heard it since the tape snapped. It is therefore good to have this recording once again, and if the cassette has long since gone the music has long gone the music has lingered in the memory. 

For this quintet recording Wheeler has assembled an all star cast, with whom he had numerous encounters over the years. The musical relationship between Dave Holland and Jack DeJohnette is now legendary, and pianist John Taylor was an obvious choice for piano duties. Rather less obvious however, is the selection of Mike Brecker as the second horn and front line partner. The trumpeter proves to be absolutely spot on in his choice of tenor player as Brecker's often full on playing is a perfect foil to Wheeler's. Whereas the trumpet lines are carefully chiselled and sculpted, the saxophonist forges ahead with his contributions carved out of granite. This contrast between the two horns is heard to great effect on 'Foxy Trot' and 'W.W', and staggeringly compatible on contrapuntal lines of 'Three For D'reen'.  

John Taylor's association with Wheeler was longstanding, as were collectively two thirds of the Azimuth trio that recorded many fine albums for ECM. That Taylor was the perfect pianist for the session is a no-brainer , and his empathy for both the trumpeter and his compositions is clear to hear with the duet, Ma Bel', a real joy. Working as part of the rhythm section, Taylor's playing is flawless. He knows just when to push and how to bring things back down.

As for the leader, well Kenny is Kenny. He brings some memorable tunes, and with typical modesty leads from the front. His solos are lithe, economical and erudite and played with a tone and expressive range that could not be mistaken for anybody else. In an extensive discography there are many Jewels in Wheeler's crown and it would be a real shame to miss this one.

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